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DESCRIBE stand-up comedians. Easy isn’t it? The clue is in the name, right? They’re those people who stand up at a microphone and perform a comedy routine. People like Stewart Lee. Would that it were that simple. Take this show, for example. Described as "ambient stand-up storytelling" - part comedy, part theatre and part biography. It may not quite know what it wants to be, but it’s no worse off for its lack of a pigeonhole. Comedy, it is said, differs from theatre in that it breaks down the invisible wall between the performer and audience. There are few better examples of this than Stewart Lee . Even here in what is essentially a theatrical piece - he can’t resist prefacing the show with a personal introduction to the audience in which he tells them how they can tell when he’s acting, where he has placed his notes and which part of the show to look out for as "the boring bit". Commissioned
to write a treatment for a biopic on Edward Lear, Lee sets about conducting
research - primarily centred around Lear’s poem The Owl And The Pussycat. Somewhere along the line, this seems to be connected with a serious plumbing problem that stops Lee from either using the toilet or focusing on the project, much to the chagrin of the lead actor who has been lined up to play Lear. When that actor is Ray Winstone, it’s time to start worrying. There are some wonderful gags and ideas woven into this show, punctuated by Lee’s talent to apply a comedian’s logic to an illogical verse. With
Simon Munnery playing Ray Winstone as Edward Lear, and the atmospheric
live cello backing, it’s an eclectic evening of high entertainment,
if not finally undone by the uncertainty of what it is trying to be.
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Jason
Hall Source
- Evening
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